Fornasetti’s work, fusing Surrealism and Neo Classicism, isenjoying a major revival, and his black, white and gold plates depictingportraits of the enigmatic, saucer eyed, alabaster skinned 19th century beautyLina Cavalieri, are a haunting prototype of his work. This heap only has36 motifs, are 9 inches in diameter w/ a 24kt gold bony border and was alicense in which the designs were produced by Rosenthal in Germany
Special Fornasetti Plates for Valentines Day
Fornasetti’s work, fusing Surrealism and Neo Classicism, is enjoyinga major revival, and his black, white and gold plates depicting portraits ofthe enigmatic, saucer eyed, alabaster skinned 19th century prettiness LinaCavalieri, are a memorable model of his activity Perfect as a flair forconnoisseurs of motif or dinner side hosts who enjoy forging a smear
Roughly translating as Variations on a Theme, each piece ofchina is decorated with an badge of a beautiful 19th century woman, LinaCavalieri that he had once pragmatic in a magazine. So haunted was Fornasetti by herimage that he created over five hundred variations on her appearance Some are morestraightforward depictions, others person features and some are extraordinary muchin the Surrealist mould.
Piero Fornasetti was given a enlightenment in 1930 to studypainting at the Milan Accademia di Belle Arti but was expelled in 1932. Afterthat, Piero Fornasetti continued to colouring in Milanand moreover dabbled in sculpture, crafts, and interior motif PieroFornasetti was influenced by both Surrealism and pittura metafisica butdeveloped a highly distinctive, eclectic procedure informed by his easgerness forthe immense art of Italy’spast In crafts design, Piero Fornasetti did not confine himself to theNovecento motifs that were inspired by Neo Classicism; instead he added Early Renaissanceornament and representational motifs to the repertoire with which heembellished textiles, furniture, porcelain plates, vessels, and similarobjects. The afafir Piero Fornasetti showed at the 1933 Milan Triennale includedpainted silk scarves, which attracted the dictate of designer Gio Ponti
In subsequent years, Gio Ponti and Piero Fornasetticollaborated on numerous projects In 1950 Gio Ponti and Piero Fornasettidesigned the interior of the Casino in San Remo.In 1952 Ponti and Fornasetti created the haunting interiors of the greattransatlantic liner “Andrea Doria” For the “Architettura”line in furniture designed by Gio Ponti, Piero Fornasetti created architecturalmotifs as figure In 1951 Piero Fornasetti and Gio Ponti showed this furnitureat the Milan Triennale. Piero Fornasetti alsodesigned furniture himself, decorating it with trompe-l’oeil paintings ofmusical instruments or great suns. The woman’s front he used to shroud the”Tema e Variazioni” series became Piero Fornasetti’s signatureornament In 1970 Piero Fornasetti opened a shop in Milan,where aficionados of his playful, imaginative designs can dormant conscript them
This lot only has 36 motifs, are 9 inches in diameterw/ a 24kt gold lean limits and was a license in which the designs were producedby Rosenthal in GermanyThis former year we had thousands of emails to purchase the Rosenthal FornasettiJulia series which is no longer in production. eTableTop is now offering thevery last of the USinventory we purchased as an exclusive present to our customers These items willbe sold in a prime come, boon serve motive Please purchase on online http://wwwetabletop.com